Accompanying Dylan, who played acoustic guitar and harmonica, were two Nashville veterans from the Blonde on Blonde sessions: Charlie McCoy on bass guitar and Kenneth Buttrey on drums. He recorded "All Along the Watchtower" on November 6, 1967, at Columbia Studio A in Nashville, Tennessee, the same studio where he had completed Blonde on Blonde the previous year. Dylan has claimed that he thought of the song during a thunderstorm. With one child born in early 1966 and another in mid-1967, Dylan had settled into family life. According to Dylan biographer Clinton Heylin, all the songs for John Wesley Harding, Dylan's eighth studio album, were written and recorded during a six-week period at the end of 1967. The singer has performed the song live more than any of his other ones, with over 2,250 recitals.īob Dylan original version Background and recording įollowing a motorcycle accident in July 1966, Dylan spent the next 18 months recuperating at his home in Woodstock and writing songs. His live performances have been influenced by Hendrix's cover, to the extent that they have been called covers of a cover. Dylan first played the song live in concert on the Bob Dylan and the Band 1974 Tour, his first tour since 1966. The Hendrix version, released six months after Dylan's original recording, became a Top 20 single in 1968, received a Grammy Hall of Fame award in 2001, and was ranked 48th in Rolling Stone magazine's 500 Greatest Songs of All Time in 2004 (40th in the 2021 version). Dylan has released several different live performances, and versions of the song are included on some of his subsequent greatest hits compilations.Ĭovered by numerous artists, "All Along the Watchtower" is strongly identified with the interpretation Jimi Hendrix recorded with the Jimi Hendrix Experience for their third studio album, Electric Ladyland (1968). The song has been subject to various interpretations some reviewers have noted that it echoes lines in the Book of Isaiah, Chapter 21, verses 5–9. The song's lyrics, which in its original version contain twelve lines, feature a conversation between a joker and a thief. The song was written by Dylan and produced by Bob Johnston. " All Along the Watchtower" is a song by American singer-songwriter Bob Dylan from his eighth studio album, John Wesley Harding (1967). If these free lessons help you, please donate to keep new ones coming daily.Picture sleeve from the Netherlands release (November 1968) I will cover both of those parts as well. The end of the solo is a bit more erratic containing some guitar overdubs. This solo is pretty simple to play and is just a melodic figure that is then repeated an octave higher. You will also want to make note of the two different endings of this riff.īeyond these riffs I will also cover the guitar solo. Pay close attention to the picking in this part of the lesson as well as the left hand muting to make sure you give this riff it's punchy sound. The main riff of the song kicks in after this intro and consists of power chords played in a tight rhythmic fashion across the 4-6 strings. This kind of a guitar lick can create a sort of hypnotic effect especially when the harmony comes in with the organ. In reality it consists of a simple hammer-on lick played on two adjacent strings over and over again. This riff sounds a lot more complicated than it actually is to play. The intro to "Joker And The Thief" is perhaps the most recognizable riff of the song and you will hear it constantly at sporting events all over the world. That will be starting from the 6th string D A D G B E. You will need to tune your guitar to dropped "D" for this one. In this Joker And The Thief guitar lesson, I will show you note-for-note how to play this guitar driven hit from Wolfmother.
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